Rupert appeared as Sunshine ‘Sunny’ Macintosh in an episode of The Good Karma Hospital, a six-episode tv series created by Dan Sefton. The character’s unusual first name can be explained by the fact that his father is an artist – and of course Sunny was a lovely baby!
The series is set in a coastal town in South India, but I understand that filming took place in Sri Lanka. Wherever it is, that’s one beautiful beach!
Sunny has come to India to find his estranged father Desmond (an excellent turn from Clive Russell), who wrote to Sunny, apparently unwell and asking to see him. Dr Fonseca (Amanda Redman) drives Sunny through the town’s Holi celebrations (hence the random scatterings of colour!) to track down Desmond in his artist’s lair.
Here’s some screen captures from the episode, which I copy here with the greatest respect but without permission. (All rights remain with Tiger Aspect Productions and ITV.)
The two women playing the leads are Poppy Roe and Katie Brayben, who played two of Bobby’s three girlfriends in Company in 2011. Also, Rupert had a role in Forward Motion’s short film, This Love, in 2012.
I am a backer for Self-Help, too, so can only encourage you to get involved, if you possibly can! I was a backer for Forward Motion’s short film This Way Out, and not only was the film awesome, but the experience was, too. These are good and lovely people.
Rupert was interviewed by Phil Hewitt in relation to his work in Gaslight, and it was published on 27 January in the West Sussex County Times.
Rupert Young – best known as Sir Leon in the BBC drama series Merlin – says he’s wary of digging out an old “museum piece” and putting it in front of the public.
He’s delighted to confirm that Gaslight is anything but. It remains a thrillingly-good thriller, as the cast are discovering on a tour which brings them to the Theatre Royal Brighton from Monday to Saturday, February 6-11. …
“It’s a strange piece of work that was written in the 1940s but set in the 1800s,” Rupert says. “For me, as actor, you have got to find the truth of a piece, and the last thing you want to do is a museum piece with old costumes that, when the curtain goes up, creates a distance between you and the audience and the audience are thinking ‘That would never happen now!’ We were all slightly worried about that. But I didn’t really know the piece at all. I hadn’t realised that it was such a brilliant play. I read it half thinking that it was going to seem old tosh, but I read it and thought it was fantastic.
“And I hesitate to say it, but it almost seems more relevant now than it would have done when it was first performed. I think we are now so much more in tune and aware of mental health and the way that people manipulate other people in our times when marriages are supposed to be marriages of two equals. Back then, it was more a question of finding a woman to marry who will have a family and be subservient to the husband. But the base line is that we discovered that it is a really good thriller.”
He’s also finding it easier to talk about. Doing interviews before the production opened, Rupert recalls he was very cautious not to give anything away: “Kara and I would be talking about opening the play and seeing this lovely couple, and we were saying that you have to believe that they are two people in love and that it is a real marriage.”
Now, with the tour under way, he finds it easier to confess: his character most definitely has his darker sides: “Really within the first scene we know that for whatever reason I am slightly unhinged and unpleasant towards my wife, and the audience members think they can see why because to all intents and purposes he is getting annoyed because she is going a bit insane. But people can start to see that I am being slightly manipulative.
“In fact, so far I am getting booed most nights. At least I think it is for my character and not my acting! But I am really playing a different part to the parts I am usually playing. Without sounding too arrogant, usually the parts I play are of the charming leading man. I was in High Society at the Old Vic, and that part was the absolute antithesis of what I am doing now!”
Rupert’s previous television work includes episodes of Doc Martin, Foyle’s War, Hotel Babylon, The White Queen, Doctor Who and numerous others. He has most recently performed in While The Sun Shines for Bath Theatre Royal.
“Really for me, it is just about getting interesting parts, parts that push you and challenge you.”
Thank you, Phil Hewitt! It’s wonderful to read something a little more in-depth than the usual.
Well, those of us able to catch Gaslight on its tour through England are in for another theatrical treat! This play is a classic thriller, written in 1938 by Patrick Hamilton, and set in a drawing room in Victorian-era London. This production is directed by Anthony Banks.
I loved the set, which was small and neat yet intricate, allowing for all kinds of surprises. The lighting and sound helped place the room in the real world, and also added greatly to the changing moods and a creeping sense of dread. Kudos to designer David Woodhead, lighting designer Howard Hudson, and composition and sound designers Ben and Max Ringham.
Rupert is wonderful as Jack Manningham, the plausible, handsome husband who has turned into a plausible, manipulative terror. I’ve said it before, I know, but he really is far too good at this sort of thing. You can see why his young wife Bella married him, and why she still finds moments of happiness in their marriage – and you can also see how he could get away for too long with cruelly undermining her. Luckily for Bella, she has a friend or two she’s not yet aware of.
Kara Tointon is terrific as Bella, a bright young woman haunted by the memory of her mother dying insane. I won’t spoil anything, but even as the mysteries are revealed and her innocence reaffirmed, she still fears she’ll end up with the same fate.
Keith Allen is, of course, delightful as ‘Rough (a visitor)’ and delivers some of the funniest lines with great aplomb, while managing a great deal of stage business.
The main three actors are wonderfully supported by Helen Anderson, Charlotte Blackledge and the ensemble.
If you can go, I’d recommend it! The first night’s audience really enjoyed it, and I suspect we won’t be the only ones.
The play is touring England as follows. You can buy tickets via ATG Tickets, except where a separate ‘booking info’ link is provided below.
Birmingham, New Alexandra Theatre: 6-14 January 2017
Aylesbury, Waterside Theatre: 16-21 January 2017
Woking, New Victoria Theatre: 23-28 January 2017
York, Grand Opera House: 30 January – 4 February 2017
P.S. It doesn’t hurt that Rupert looks so damned dapper in those clothes!
ETA: There is an interesting article about the lighting here. The lighting equipment was provided by the company White Light.
It’s not, as Hamilton himself admitted, “a great work of art”. Poor Rupert Young – playing the manipulative bounder Jack with a judicious mixture of lordly but kindly condescension and explosive viciousness – even got booed at the opening-night curtain-call in Birmingham, as if this was panto. But the psychological essentials of this potboiler hold good, and, as with The Archers’ abuse storyline, who’s to say that real-life doesn’t acquire the hue of dark melodrama when male-female relations hit their nadir? 4 stars from Dominic Cavendish, The Telegraph, 11 January 2017
… the production relies heavily on the performances of its small cast as the plot gradually thickens. 4 stars from Diane Parkes, What’s On Stage, 12 January 2017
Testament to the terrifyingly convincing performance of the sadistic, psychotic Jack Manningham came by the chorus of boos actor Rupert Young received as he took a final bow at the New Alexandra Theatre where the production this week begins a national tour. Young oozed menace as he both charmed and petrified his tormented wife in a twisted power game. Humiliating her with his roving eye and deliberately shaming her before the servants to undermine and ostracise her, a cold chill swept the theatre as a hatred of the character developed. In his Victorian costume, Young swept onto the dimly-lit stage with his huge Jekyll-like shadow looming large and leaving the gripped audience biting their nails in apprehension as the tension built. Review by Diane Davies, Express and Star, 11 January 2017
While Rupert Young’s Jack Manningham is perhaps underplayed in the first half, after the interval he becomes frighteningly intense and scarily unpredictable as the air of threat increases. His moods swing ever more widely as he begins to suspect that something is now happening that is beyond even his control. 4 stars from Selwyn Knight, The Reviews Hub, 11 January 2017
… the real brilliance of Gaslight is unearthed in the joy of the actors’ craft … Going by the stellar performance the cast gave on opening night, you need to get your hands on some tickets, because it sounds like they have a whole lot more, if that’s even possible, to pull out of their theatrical bag. Review by Madeleine Bourne, Redbrick, 11 January 2017
As her bullying husband, Jack, Rupert Young domineers, exuding evil. What begins as a study in mental cruelty swiftly becomes something even darker as the true nature of the man Bella married is brought to light. … You can tell it’s working when the villain is booed during his curtain call! Review by William Stafford, Bum on a Seat, 11 January 2017
… the play’s real chill lies in the warped dynamic between Bella and her husband. Young oozes psychological menace as he slowly picks away at his wife’s grip on sanity … 4 stars from Claire Allfree, Metro, 13 January 2017
This suspenseful play kept me engaged throughout, with each character easily holding my attention. It’s a production that had everything, from gradually building tension to surprising but greatly welcome humour. It’s a shame it wasn’t longer, though – it was such a pleasure to watch that the time flew by way too quickly. Gaslight is definitely one not to be missed. 5 stars from Rhian Atherton, What’s On Birmingham, 11 January 2017
Jack is an increasingly unstable person and there were moments during the performance where the audience were genuinely shocked at the relationship breakdown between the couple; however this is to the credit of Young and Tointon with some incredibly intense and believable action on stage. … If you want to watch a play and like a twist, then this is for you. Witty, mysterious and beautiful all at the same time. Review by Matt Dudley, Black Country Radio, 11 January 2017
Rounding out the cast is the brilliant Helen Anderson as Elizabeth the housekeeper, and the delightful Charlotte Blackledge as the sassy and flirtacious maid Nancy. Anderson is a master at playing an audience and her scenes with Rupert Young’s darkly disturbing Mr Manningham are particularly enjoyable. Charlotte Blackledge, as Nancy, gets the majority of the laughs of the night, flouncing about with a sour look for her mistress and a lusty one for her master. It is clear director Anthony Banks has had lots of fun in the rehearsal room and the cast mesh beautifully. … A thoroughly exciting evening, with a great cast, Gaslight remains a pertinent piece. 4 stars from Carly Halse, Female Arts, 16 January 2017
Rupert Young gives an outstanding performance. He is completely despicable as Jack Manning the coercive, cruel and calculating husband. His manipulative, menacing character is truly hateful. … This psychological thriller, with palpable moments of edge of the seat tension is a real must see production. 3 stars from Melanie Mitchell, Rewrite This Story, 23 January 2017
The plot is by no mean the most challenging of whodunnits, but the production is well worth seeing. The casting is excellent. Rupert Young towers over Kara Tointon’s slight and frail-looking figure, emphasising visually how his character is able to dominate her. And Keith Allen’s bewhiskered detective adds many moments of levity to such a dark plot. The play is driven along by the skills of the lead actors. In particular, Keith Allen, who encompasses the voracious, and sometimes excitable, character of Rough with great aplomb and adds some wonderful comedic moments. Review by Steve Cowell, York Mix, 31 January 2017
Rupert Young as Jack shows enormous stage presence, physically towering over the frail and pasty Bella as he switches from unctuous and patronising to a furious bully in an instant. … The wonderful set and costumes focus our attention on the drama and the details. However, it’s the acting of the three main characters that carry this through – as an audience we know what’s coming, and Gaslight is all the more fun for that. A great evening, catch it if you can. Review by Gary Cook, The Brighton Magazine, 7 February 2017
Rupert Young plays manipulative and deceiving husband Jack with a mixture of haughtiness, condescension and even, at some points, he’s down right vicious. His character is booed at curtain-call, as if this were panto. Not because the character was terribly played, far from that, but without wishing to spoil what happens, the character got what he deserved. Overall, Gaslight is a dark, yet shining example of a thriller done good. Thoroughly recommend. Review by Hannah Hopkins, Quench, 14 March 2017