Hanging at Supanova Adelaide with … Rupert Young!
A follow-up interview by Sosefina Fuamoli for The Iris during Rupert’s attendance at the Supanova cons in Australia.
I was having breakfast with Louise Brealey today and we were laughing and saying, ‘We’re in Australia, having breakfast. How amazing is this?’ It’s brilliant.
Read the full article here.
Rupert took part in a Twitter Q+A as part of the promotion for the Noel Coward plays Tonight at 8:30, in which he’s currently featuring at Nuffield Theatre in Southampton. If you can’t make it there, remember the show goes on tour throughout England. Details are in this post.
Unfortunately I completely missed the Q+A, but a good friend of mine has kindly compiled a transcript, which I’ve copied below (with her permission).
Q: Do you have any pre-show rituals or routines?
A: I do a singing warm up for half an hour then go through the script then get into costume at the quarter. 5 mins to myself before the show
Q: Are you superstitious?
A: Yes, every do often, like always taking a sip of water at the same points in the play each day.
Q: Which of the parts you play in #TonightAt830 is your favourite?
A: I love Karl in We Were Dancing, for instant audience reaction. Also Simon in Shadow Play and I love Alf in Red Peppers.
Q: From @DCTully Which play is your favourite?
A: My favourite keeps changing. Red Peppers is great to watch. Astonished Heart is an extraordinary play, all of them at some point! There isn’t a play in the nine that I don’t absolutely adore.
Continue reading Twitter Q+A with Nuffield Theatre for ‘Tonight at 8:30’ (2014)
This is an ambitious production featuring nine Noel Coward plays, presented in three groups of three. You can see one ‘Trio’ of plays a day – or you can do what we’ve just done, and go on a day when all three Trios are played back to back.
Known collectively as Tonight at 8:30, this production comes courtesy of the English Touring Theatre (ETT), and is directed by Blanche McIntyre. It is currently running at the Nuffield Theatre in Southampton, and will then be touring English regional theatres (details below).
My main motivation for attending was that Rupert is in the cast, but he is joined by eight other wonderful actors, and they made for a great ensemble.
The triple bill was an awesome marathon, filled with plenty of wit, humour and drama. There were some plays in which I laughed until I cried, while others were absolutely heart–breaking. All were interesting, even intriguing. There is no doubt that Coward was a clever, observant and witty writer. As Sam Hodges (Creative and Executive Director of Nuffield Theatre) says in the program, ‘where theatre is at its best is when, behind the manners and etiquette and wordplay, lies loss, love, hope and truth. These Coward captures in spades.’
Luckily for me and my fellow Rupert fans, he is in eight of the nine plays – though only briefly in a couple. He gets the chance to really shine in two of them, though.
In We Were Dancing (Trio 1), Rupert plays Karl. He and Louise (the marvellous Kirsty Besterman) are strangers who have fallen deeply in love while waltzing at a party, and start making immediate plans to spend their lives together. This has to take into account Louise’s husband Hubert (Peter Singh), but the three of them strive to deal with the ramifications of this heartfelt emotional moment with honesty and rationality. The results are very funny and occasionally very moving. Rupert gets to play … well, a gorgeous decent man who has suddenly found himself to be a romantic lover. Even while Karl and Louise fully acknowledge and accept this life–changing moment, however, they still need to negotiate the details and the practicalities. Not to mention learn each other’s names. It’s all just delightful – and Rupert sings a charming song as well! He has such a great voice, so subtly expressive and never less than evocative throughout a very long day.
Rehearsal and production photos for the play Tonight at 8:30, directed by Blanche McIntyre. Photos are by the wonderful Mark Douet via Nuffield Theatre. (These are shared on the basis that they are publicity photos freely available for dissemination. Please contact me with any concerns.)
Update: I’ve now uploaded more photos, that were available via the Oxford Playhouse website.
